SANS SOUCI


Lotta/20/Finland

☁☁☁

last.fm/user/pikkulotta


flyartproductions:

MY ANACONDA DON’T WANT NONE UNLESS YOU GOT BUNS HUN
Lilith with a snake (1886), John Collier / Anaconda, Nicki Minaj

flyartproductions:

MY ANACONDA DON’T WANT NONE UNLESS YOU GOT BUNS HUN

Lilith with a snake (1886), John Collier / Anaconda, Nicki Minaj

dionyssos:

Pablo Picasso , ink drawing

dionyssos:

Pablo Picasso , ink drawing

He says ‘I don’t get it, why are you still a virgin at 24?’

He says ‘I don’t believe you, I’ve seen you walk, virgins don’t walk like that’

He says, ‘That ain’t natural, people are supposed to fuck.’

He asks ‘Why though? No offence though.’

I ask ‘When was your first time?’

He says ‘I was 12’

He says ‘I know what you’re thinking, that’s too young.’

I look at his knuckles, he has two good hands.

He says ‘She was older than me.’

I ask ‘How old?’

And he says ‘It’s better that the girl is older, that’s how I learnt all things I know’

He licks his lips.

I ask again ‘How old?’

He says ‘I could use one finger to make you sob’

I think of my brother in prison and I can’t remember his face.

I ask again ‘How old?’

He says ‘Boys become men in the laps of women, you know?’

I think of my mother’s face lined with her bad choices in men.

He says ‘If you were mine you wouldn’t get away with this shit, I’d eat you for hours, I’d gut you like fruit.’

I think of my cousin’s circumcision, how he feels like a mermaid, not human from the waist down.

He says ‘I’d look after you, you know?’

I laugh, I ask for the last time ‘How old?’

He says ‘34.’

He says ‘She was beautiful though and I know what you’re thinking but it’s not like that, I’m a man, I’m a man, I’m a man. No one could ever hurt me’.

—Warsan Shire, Crude Conversations With Boys Who Fake Laughter Often (via paintdeath)

(Source: cactuslungs)

The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

(Source: ozhin)

(44,444 plays)

(Source: sam-the-friendly-ghost)

(243,656 plays)

(Source: milkmami)

bejwelled:

Blue- Pablo Picasso, Henri Matisse, Yves Klein

200gb:

The Thinker by Auguste Rodin x Drake thinking about Nicki’s ass in Anaconda.

dinuguan:

Matisse, 1933

dinuguan:

Matisse, 1933

(Source: puppyprotector)

calupico:

6つの自撮り

thedailytwerk:

My Step - Little Dragon

(325 plays)

dekutree:

girls: spank me i’ve been naughty

me: its okay we all make mistakes 

juipiter: